Tuesday, May 11, 2010

Hamilton Beach Single Serve Blender Recipes

4. The mosaic of impatience.


know when bruising bursts of temper alternate gelite gusts of gray life on a small screen? Here, there is in those moments that my internal melancholy poet opens the hood and take a look of the lashes looking fresh oxygen. He looks around and tells me that maybe we should concentrate on something. On any thing.

And here I am. I and the silent cinema in Turin, reduced frames and quotes from time tyrant. E Pasquali, in all this? What was left of him, at the beginning of my research? Very little, and that little had been torn into tiny shreds and entrusted to the wind more restless. And I, the Martucci, I had to sniff the wind to get to put the pieces together. A date here, a detail there, maybe a photo, maybe a flan of his film. "The Holy Bible " , for example.

vaunted as the most spectacular film that the film had ever brought to light. Elephants, camels, thousands of extras, massive historical reconstructions. All shouted in the centerfold of the most important newspaper of the Italian cinema of the time. It could have been better to add a shower of adjectives, all those who wanted to, because that movie ... was never realized. You may wonder why! If so, you'll see what I tried. Because of unanswered questions in the life of Ernesto Maria Pasquali, I would have encountered in flocks. And the more suspect, most get caught in the mesh taut elusive detail, narrow escape, but do not make me comfortable soft wrap. In these stories, you know, it wallows a hunter legends. Who would have thought that this would become a film?

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