Saturday, May 8, 2010

Icecream Inebrya Chart

2. The epitaph rebel.


"D a must have to begin somewhere," she said, and I'm sad and bent on specific books of the history of silent films, alone and wandering in the corners of video stores where the sun never hit. Yawned at the thought of boring melodrama put up in costume, or comedies that are no longer laughing, with the inevitable accompaniment of old story played by a pianist meccanicamante frustrated, then besieged by a crowd of peasants, semi-literate, and noisy kids. I was hoping to close the chapter "argument" within the shortest period of time. "Come on so Andrea, and then you finally write your book interview with Godard" as Truffaut did with Hitchcock.
Everything seems to foresee, even Godard's silence towards me (a person is careful-I said to myself - stay safe reordering ideas waiting to be interviewed from here this AM), when he unexpectedly came out . popped out of the dust of history, looking bright, histrionic, e. .. if I had not thought of exaggerating ... I would have defined challenge. But the challenge to who? Certainly not me, who dovevoIl compile a biographical note, not a duel.
"Ernesto Maria Pasquali, film producer, born in 1883, died in 1919" . One minor problem, which seemed to require a study that was not conceding. As I would put that look proud, sure of himself, heedless of the fact that now accounts for little more than a faded epitaph? I was left unanswered. Indifference, for that time, perhaps the last, had the best: turn the page, write, underline, and yawn. My work went on, and I could not help thinking that a speaker would soon rub your hands before you take possession of a labor of others. My.

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